1 Person Crew Video Productions – Online Course – The Cinematic Look

Businesses of all sizes need better ways to offer their products and services to the world, and video is clearly the new language of brand communication. Learn how to plan a multi-camera production, increase production value through camera movement, and create cinematic lighting on a budget. Plus, get tips for adding great music and sound effects, saving time and money in post-production, and more!

Online Course

The complete online course is now available on LinkedIn Learning and on Lynda.com

Gear

All the video gear featured on (and used to produce) this course is available here.

Some links might be affiliates. If you purchase gear with them, I might receive a small commission at no additional cost to you. Thanks in advance for your support!

Questions?

Feel free to ask any questions regarding this course (on anything else) on Instagram.

1 Person Crew Video Productions – Online Course – Up and Running

1 Person Crew online course

From planning a shoot to DIY lighting solutions, learn how to produce professional videos with very little gear, tight deadlines, shoestring budgets, and no crew.

Online Course

The complete online course is now available on LinkedIn Learning and on Lynda.com

Gear

All the video gear featured on (and used to produce) this course is available here.

Some links might be affiliates. If you purchase gear with them, I might receive a small commission at no additional cost to you. Thanks in advance for your support!

Questions?

Feel free to ask any questions regarding this course (on anything else) on Instagram.

Audio Gear: Testing 6 different microphones at once.

This is the third audio test I share on 1PersonCrew.com

On the first test I tested 12 different mic configurations and the second test was about 3 different wireless systems for filmmakers. Since then I’ve received lot of different ideas and suggestions, mostly positive, that I’m adding to today’s test.

The Test:

The Audio Files:

Mic 1
Mic 2
Mic 3
Mic 4
Mic 5
Mic 6

Here’s all the audio gear used on this video:

So, what do you think? Leave your comments on YouTube, or hit me on Instagram.

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DISCLAIMER
This article is not paid or sponsored by anyone. It reflects my own independent opinion. I only recommend companies and products that I trust. Some links might be affiliates, which means I may get a few pennies if you decide to purchase something.
Thanks in advance for your support!

What’s the difference between audio file formats?

Last week we talked about the differences between Video Codecs, and more specifically about the advantages and disadvantages between ALL-I and IPB.

DISCLAIMER
This article is not paid or sponsored by anyone. It reflects my own independent opinion. I only recommend companies and products that I trust. Some links might be affiliates, which means I may get a few pennies if you decide to purchase something.
Thanks in advance for your support!

Audio File Formats

Since last week’s post I’ve received several questions about audio formats. Instead of rewriting what has been already done well, I’ll direct you to an article by Izotope, which is in my humble opinion the provider of best audio plugins in the market.

The article covers the differences between wav, aiff, mp3, and m4a, which is pretty much all we need to know as filmmakers.

Audio Gear

Lots of folks have also been asking about “the most minimalist audio kit” I’d suggest.

Here it is: a wireless system, an audio field recorder, and extra mic that can doble as on-camera shotgun mic or boom mic, a couple of XLR cables (always bring backup cables), and enough rechargeable batteries to have a fully charged backup at all times. The H4n Pro is specially power hungry, so I’d strongly suggest getting the kit with the AC adapter.

I added one more item that is nice to have, but nor essential; the Rycote Undercovers, which allow you to “stick” a lavalier mic to a subject over or under their clothes. Much more useful than you would think.

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Post-Production for Low-Budget Films.

The Online Course

Experience a post-production workflow that is far from traditional, but is extremely efficient and logical. Recommended hardware, software and apps, batch renaming, 4K Proxy workflow, GPS tagging, the correct steps to color correct and grade footage, and even how to safely back-up and archive your projects.

https://www.linkedin.com/learning/video-post-production-for-low-budget-films/welcome

The best book for Photographers getting into Video.

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Pre-Production for Low-Budget Films.

The Online Course

Learn the entire pre-production workflow, from brainstorming to asset allocation all the way to actually pre-shooting your project. This course is geared to filmmakers working with small crews, but it offers essential lessons and resources for all content creators.

https://www.linkedin.com/learning/video-pre-production-for-low-budget-films/welcome

The best book for Photographers getting into Video.

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Instagram: @1PersonCrew

Filmmaking for Photographers: On Location – Online Course

This is your chance to join an Emmy Award-winning filmmaker on location! Get a unique view, from concept to delivery, and experience how to capture stills, video, and sounds to produce a commercial for a boutique winery in beautiful Oregon.

The Online Course

https://www.linkedin.com/learning/video-for-photographers-1-filmmaking-essentials/welcome

The Book

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Instagram: @1PersonCrew

Cinematic Composition for Video Productions – Online Course

Composition is one of the least understood yet most important aspects of cinema. Using a wide variety of examples, Emmy Award-winning Director of Photography Eduardo Angel breaks down effective cinematic composition, shares his favorite compositional effects and techniques and even covers how and when to successfully break well established rules.

https://www.linkedin.com/learning/cinematic-composition-for-video-productions/welcome

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Instagram: @1PersonCrew