Businesses of all sizes need better ways to offer their products and services to the world, and video is clearly the new language of brand communication. Learn how to plan a multi-camera production, increase production value through camera movement, and create cinematic lighting on a budget. Plus, get tips for adding great music and sound effects, saving time and money in post-production, and more!
All the video gear featured on (and used to produce) this course is available here.
Some links might be affiliates. If you purchase gear with them, I might receive a small commission at no additional cost to you. Thanks in advance for your support!
Questions?
Feel free to ask any questions regarding this course (on anything else) on Instagram.
From planning a shoot to DIY lighting solutions, learn how to produce professional videos with very little gear, tight deadlines, shoestring budgets, andno crew.
All the video gear featured on (and used to produce) this course is available here.
Some links might be affiliates. If you purchase gear with them, I might receive a small commission at no additional cost to you. Thanks in advance for your support!
Questions?
Feel free to ask any questions regarding this course (on anything else) on Instagram.
I’m very thankful with Benro for putting together a webinar to discuss the 1PersonCrew Approach. The host was my dear friend Matt Hill, who is not only an awesome guy, but also a multi-talented artist in his own right. Matt’s project with handmade paper dresses and long-exposure portraiture is jaw-dropping.
I hope attendees found the webinar fun and and helpful. In case you missed it (or want to rewatch it) here’s the full recording. Feel free to leave comments and questions below, or hit me on Instagram.
I created three lists to share my favorite tools; one for the travel filmmaker who’s priority is size and weight. The second gear list is for those who are getting started or are looking to add new/better tools. And the third list is for more experienced filmmakers who want to take their productions to the next level.
Here’s the third gear configuration I’d suggest:
The Cinematic Look
This list is for people who already own the essential tools, but want to increase the quality of their video productions. A cinema camera and lenses, additional lighting tools, and better audio gear are included.
The “Cinematic Look” is what I’ve used for high-end corporate gigs, music videos, and even short films. Not all the items on the list are supposed to be used simultaneously. For example: I’d use the NanLite MixPanel 150 and a PavoTube Kit on most situations, unless shipping gear is required. In that case I’d use the Fiilex kit.
The same goes for lenses. Under controlled and well-planned situations, I prefer to use the Rokinon Cine lenses, but depending on the story, subject and shooting schedule a fast zoom lens might be a better option.
The gear lists are not paid or sponsored by anyone. They reflect my own independent opinion, and the companies and products I use and trust. Some links might be affiliates, which means I may get a few pennies if you decide to purchase something. Thanks in advance for your support!
Last week I received my first official complaint about 1 Person Crew. It was a very polite email from Michael G. saying “I truly appreciate the time you take to share your thoughts, but the last few posts have been about hardware. At some point, would you mind sharing some of the applications you use as well?”
Michael is totally right. I stand corrected and thanks for the feedback!
So, today’s post is about some of the software applications, plugins and smartphone apps that help me work more efficiently. The list isn’t organized in any particular order. I simply looked at my phone and computer and added the apps I use most often. I’ve added direct links for your convenience.
DaVinci Resolve – The free video editing software I’d recommend for anyone getting started.
I created three lists to share my favorite tools; the first equipment guide is for the travel filmmaker who’s priority is size and weight. The second list is for those who are getting started or are looking to add new/better tools. And the third list is for more experienced filmmakers who want to take their productions to the next level.
Here’s my second suggested gear setup:
Up and Running
This list includes the most essential items for people getting started, or who are currently shooting video but want to upgrade some gear. Lenses, mics and lights are fairly typical items. Size and weight are important, but not super critical.
I’d recommend this setup for anyone involved in run and gun scenarios like vlogs, education and training, weddings, red carpet premieres, product launches, sporting events and documentaries.
A typical example for this setup is corporate gigs where I have the luxury to setup one day, shoot multiple interviews for a couple of days, and then take my time packing everything carefully.
The gear lists are not paid or sponsored by anyone. They reflect my own independent opinion, and the companies and products I use and trust. Some links might be affiliates, which means I may get a few pennies if you decide to purchase something. Thanks in advance for your support!
In the 1950’s the ocean freighters were heading into bankruptcy. It was too expensive and slow to move cargo around the world by water. The merchandise waiting at the docks often got spoiled or stolen.
The shipping companies, did what they usually do to lower costs. They fired a lot of people, and focused on making the ships faster, bigger, and more fuel efficient. That worked for a while, but the costs kept increasing and the shipping times didn’t improve substantially.
A good idea.
Then, someone had a great idea: What if the cargo could pre-loaded, so when a ship arrived, it would take hours, not days to load and depart? Bingo! The shipping container was born.
An even better idea.
A few years later, someone else had an even better idea; what if the shipping containers could have all the necessary parts to build a product, and the time from A to B could be utilized to assemble that product? Bingo again!
Today, all the necessary parts to build a car are loaded into a shipping container. The ship arrives, loads, and departs. While in transit, the cars are built. Three weeks later, when the ship arrives to its destination, complete cars get off to the dock and the empty containers are replaced with fully loaded ones. Brilliant.
Now, how can we possibly apply a similar approach to video productions?
I’ve spent a lot of time thinking about this challenge. The first step is to identify the most complex or time consuming processes, and then find ways to simplify them down to the least amount of gear and steps.
So buying a faster computer, a larger monitor or hiring a faster editor are just temporary solutions. What if we could blend some pre-production and productions steps? Even better, what if we could replace post-production all together?
The topic will the “1 Person Crew productions.” I’m used to travel and work alone, but for this course, for the bar has been raised. A lot. I need to find ways to do everything myself: shoot the story, capture behind the scenes footage, and produce valuable educational content, essentially at the same time. I’ll be producing short-form documentaries with real people in active locations, so I need to be respectful of their time. Not an easy challenge, but a very exciting one.
How am I going to pull this off?
I don’t know (yet).
My wife insists that a Vlog, could be a great way to document and share some of the ideas, tests, and challenges I’m dealing with in preparation to the 1 Person Crew online course.
I’m not so sure. I’m not young enough or thin enough to start vlogging. Even worse, I don’t have a mustache and I don’t wear tiny hats or striped shirts.
If (with an IF the size of a billboard) I go this route, I’d like to keep everything as RAW as possible, in other words, people would see my unmade bed, unshaven face, a crazy collection of cables, and a very unorthodox, but effective, workflow.
Why would I even consider doing this? I honestly believe that anyone interested or involved in run and gun scenarios (documentary, education, weddings, corporate, red carpet premieres, product launches, sporting events, music videos and even short films) will get something useful from my experiments (and public suffering). Let’s see. I might test the idea this week and see what happens.
Here’s an article, and a couple of related books, in case you want to know more. The “Minimalism” documentary is also worth watching because these people TRULY live with the bare essentials.
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The Coronavirus outbreak has forced a global lockdown. Most governments are enforcing travel restrictions with random checks on roads, highways, and bridges and are requiring justification for traveling anywhere, even within a city. Because of this (and other reasons) most shooting assignments have been canceled or at best rescheduled. But this does NOT mean we can’t continue looking for interesting spots for upcoming projects.
This short article covers the 1 Person Crew approach to legally scout locations during a lockdown in two steps:
Step 1: Google and Google Earth
A quick Google search for “the best viewpoints in Lisbon” offers 30,000,000 results in 0.87 seconds. Wow. Another option is to search for “melhores miradouros em Lisboa” (306,000 results in 0.61 seconds) which most likely offers better recommendations from locals.
Three viewpoints immediately get my attention: Miradouro de Santa Luzia, Miradouro das Portas do Sol, and Miradouro da Graça. I like these three spots for several reasons:
They are reachable by public transportation.
They are close to main roads so I can use a share-riding service like Uber to get there.
The three are within walking distance from each other, yet they offer different perspectives of the city.
They all seem to offer good shooting opportunities at sunrise, sunset and at night.
Not only the views, but the viewpoints themselves seem visually interesting.
Portugal is safe at all times, so I don’t have to worry about that, but that would be another consideration anywhere else.
Here’ s a screen recording of my research process using only Google and Google Earth.
OK. I now have three potential locations, without leaving my desk. What’s next?
Step 2: Exercise
We are being “asked” to stay at home,
with few exceptions, which usually include:
Buying food or other essential items
Going to work if unable to work from home
Going to hospitals or health centers
Going to care for someone
Returning to their primary residence
Walking pets
Exercising outdoors for short periods in groups smaller than 2 persons
Aha! This last exception is our salvation. Now that we have identified three interesting spots, close to each other, and at a reasonable distance from home, it’s time to go out and exercise.
Then we need to pack everything into the smallest possible bag to avoid drawing unwanted attention.
My lovely wife also enjoys working out while enjoying this incredible city, so I was lucky to have an assistant this time. =)
That’s it! You are ready to explore the world and
scout potential locations for your projects. But remember: Wash your hands,
don’t touch your face, maintain social distancing, and travel only for
essential tasks (including location scouting for upcoming shoots).
PS: I wanted a “spy movie” kind of soundtrack, and it took me about 3 minutes to search, find, download and cut the song “Ace of Spades” from Artlist.io by far the best music library I’ve used. And now they also offer sound effects! Highly recommended.
Experience a post-production workflow that is far from traditional, but is extremely efficient and logical. Recommended hardware, software and apps, batch renaming, 4K Proxy workflow, GPS tagging, the correct steps to color correct and grade footage, and even how to safely back-up and archive your projects.
